What’s more, there is no reason to think that our aggregate demand problem will be cured without some kind of aggressive change. The economist Brad DeLong has calculated that reasonable estimates of the current and future damage to our economy from the present crisis are greater than those from the Great Depression. “Unless something—and it will need to be something major—returns the U.S. to its pre-2008 growth trajectory, future economic historians will not regard the Great Depression as the worst business-cycle disaster of the industrial age,” he wrote in the journal Project Syndicate. “It is we who are living in their worst case.” Already our current weak economic expansion is near the length of the postwar average, and a new recession may strike at any time, which would erase the pitiful gains of the past five years. (God only knows what is cooking in the dungeons of Wall Street.) If we change nothing, we could be stuck in our current situation for decades. Japan has been mired in a similar trap for almost thirty years.
Currently this film has a 4.8 rating here at IMDb but in my opinion, VERY unjustly so! It teeters constantly between quirky, sweet humor, and macabre, almost cartoonish dark comedy. Which is to say, it's quintessential Brando. There's even a brief freeze-frame in the film of Brando with his hands flapping by his face in a 'neah-neah' gesture that is so 'Brandoesque'. He knows that his physical presence (a seemingly 500-pound ballet dancer) is a grand mixture of Father Christmas, Charlie Chaplin, Edward G. Robinson, and the man who bites off the heads of chickens at the circus. You just never know what you're going to get with him, so you - and the other characters in the film - are always kept a bit on edge (he played a somewhat similar character in "The Freshman"; another film that I've always thought was underrated). Federal Grant Environment
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But it didn’t last. As the ’70s transitioned into the ’80s, several structural developments in the larger economy caused a qualitative shift in how monetary policy worked. First, more and more people got access to credit, in the form of credit cards and home equity loans. This boom in consumer credit meant not only that households had new purchasing power but that a substantial chunk of spending was happening through a channel—borrowing—that was sensitive to the Fed’s interest rate mechanism. If inflation was getting out of hand, the Fed could simply tinker with interest rates and, suddenly, a huge chunk of the economy, including consumer spending, would respond in kind. For the central banker, this was something of a revelation: it was no longer necessary to provoke recessions—a messy, blunt instrument—in order to restrain inflation. Federal Grant Agency